NEAL For NEAL not only the private is political, but also the visual. Solely spraying a wall has discursive value – that doesn’t mean that that would be enough for him. No, he also takes the images, styles and motifs of the present, trims them, sprays them, makes stencils out of them. And he negotiates them equally as self-reflection, satire and style. Viva la Visualite, so to speak.